FST 333: MODES OF ANIMATION PRODUCTION
FST 333 Class Syllabus
FST 333 Class Schedule
Assignment 1a: Creating GIF Animations
Assignment 2: Rotoscoping
Case Study: Looping Backgrounds & the Art History Tool
After Effects Exercise 1
finished sample
After Effects Exercise 2
After Effects Exercise 3
finished sample
FINAL CUT PRO: Setting Scratch Disks
FINAL CUT PRO: Working with Sound (and Video)
FST 334: 6X1 VARIATIONS ON THE ONE-MINUTE FILM
FST 334 Class Syllabus
FST 334 Class Schedule
Synesthesia in Art
Notes Towards a Theory of Animation - Wells
Projections of Sound on Image - Chion
Acoustic Ecology - Cummings
On the Rights of the Molotov Man - Garnett and Meiselas
The Ecstasy of Influence - Lethem
The Empty Space (The Rough Theatre) - Brook
Filmstrip Animation Template
Some supplemental material may also be found on the CLASS BLOG.
FST 398: INTERACTIVE MEDIA
FST 398 Class Syllabus
FST 398 Class Schedule
Assignment 1: Flash Drawing
Assignment 2: Flash Animation (walk cycle)
walk cycle template
finished animation example
Assignment 3: Flash Animation (motion paths & masks)
Assignment4: Buttons and Interactivity
finished example
Interactive Flash Assignment
tellTarget explained
FST 495: SENIOR SEMINAR - DOCUMENTARY, EXPERIMENTAL ANIMATION FST 495 Class Syllabus
FST 495 Class Schedule
FST 201: INTRODUCTION TO FILM PRODUCTION
Shot Sizes
Storyboard Examples: ex.1 ex. 2
Lighting and Lenses
Exporting to H.264
Other Readings
In the Blink of an Eye (selections) - Murch
Directing the Interview - Rosenthal
Sound - Kadis
Hearing - Kadis
Microphones - Kadis
Theory of the Film: Sound - Balazs
The Film as an Original Art Form - Richter
Aniti-100 Years of Cinema Manifesto - Mekas
Introduction to "Avante-Garde Film" - MacDonald
Naming, and Defining, Avante Garde . . . - Camper
Shooting Effective B-Roll for Documentaries
Film Festival Lecture
Shot by Shot Chapter 1&2
35mm Still Camera Controls
Sekonic Light Meter Controls
Steps for Incident Light Meter
Bolex Lenses
Controls on the Bolex
How to Load the Bolex
Loading the Bolex
Speaking For, Speaking About . . . - Ruby
The Birth Film - Jane Brakhage
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